In this project, my interest in the exploration of time as a phenomenon is sustained by the comparison of differences in the passage of time within history as a succession of occurrence, and the passage of time in art as a cyclical succession of creative actions.
The idea behind the project was conceived and realized in two parallel courses:
In the first course I repeated the contours of Istria as a defined geographical area, filling it with collages and symbols representing historical changes with regard to the authorities that ruled that region. Directly from this follows a perception about the rectilinear passage of time in conjunction with the history of mankind.
The second course was conceived around a presentation of artistic elements that do not repeat themselves in time, but as they are not in a hierarchical relationship, they are characterized by a cyclical movement.

What this project has shown is that time exists in a multi-dimensional form and that its passage in the existence of mankind is characterized by different repercussions. It also demonstrated that everything is in motion and that it is never-ending.

0 UNKNOWN, clay, brick, 8x6x4, 1996	1 EPULON, clay, brick, 8x6x4, 1996	1a
2 JULIUS CAESAR, clay, brick, 8x6x4, 1996	2a	3 CARLO THE GREAT, clay, brick, 8x6x4, 1996
3a	4 ALVISE CONTARINI, clay, brick, 8x6x4, 1996	4a
5 FRANZ JOSEPH, clay, brick, 8x6x4, 1996	5a	6 NAPOLEON BONAPARTE, clay, brick, 8x6x4, 1996
6a	7 BENITO MUSSOLINI, clay, brick, 8x6x4, 1996	7a
8 JOSIP BROZ TITO, clay, brick, 8x6x4, 1996	8a	9 FRANJO TUDJMAN, clay, brick, 8x6x4, 1996
9a	THE PHENOMENOLOGY OF TIME-THE HISTORY OF ISTRIA (FIRST VERSION , NO BUSTS)